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Vince Brusio: What core idea helped to first strike sparks for this story? How did the concept of this Hasbro crossover first begin, and then grow to the point where it took two writers to make it all fit?
Mairghread Scott: The core concept is two-fold: IDW and Hasbro very much wanted G.I. Joe on Cybertron – a fight so big it dragged all the other Hasbro brands into it, and that idea is super-fun! The two franchises have a long history together and it’s definitely something I was interested in exploring. But I wanted to bring a second, more personal, layer to the story and so we hit on our central theme. Scarlett, the head of G.I. Joe is now being pitted against her own mentor, Joe Colton, who seems to be hell-bent on dragging Earth into an interplanetary war!
So it’s not just a question of saving the Transformers, or saving all of Earth, it’s also a question of saving one man in the midst of this who means the world to you. Is it really Colton doing this? Could he be brainwashed or coerced? If not, can he be redeemed? That balance is one we’re really striving for in this book. Big action, but with a big heart behind it.
David Rodriguez: It gives the entire story a great, emotional core. We’re all for piles of ninjas (so many ninjas) and explosions, but having this conflict that the series pivots on grounds it in stakes that are relatable on a human level. And to make matters more interesting, Colton is not a supervillain with a grandiose or cartoonish plan. He is thoughtful, tactical and incredibly dangerous. He’s spent years planning and assembling the execution of this mission. And Scarlett knows that Colton would not have pulled the trigger unless he knew he had a reasonable shot at pulling this off. So even though the Transformers think the humans pose little to no threat to Cybertron, the reality is that the entire planet is in very real and immediate danger.
[...]
Mairghread Scott: Well, fighting global genocide should never take away from petty squabbling. Naturally our primary heroes (Scarlett and her team from G.I. Joe, Matt and Gloria from MASK, Soundwave and Optimus from Transformers) get along fairly well, they’re not without conflict. Lady Jaye throws a lot of shade at people and Soundwave is not a fan of humans, but his character is weirdly adorable. (He’s really trying to be respectful of these vastly inferior, squishable things but…ugh.)
On the bad guys’ side, keeping competing minds like Storm Shadow from GI Joe and Shazraella from Micronauts (who gets a big upgrade in our story) together is a tall order. Miles Mayhem totally lives up to his name and it’s a joy to write whenever he gets cut down a peg. But they’re not the only people causing trouble. Elita One ends up throwing a wrench in everyone’s works when she steamrolls in with her own agenda. Let’s just say she makes Starscream seem like an upright citizen.
David Rodriguez: The twins (Skyburst and Stormclash) might be my new favorites. I wasn't really familiar with them before the series, but after researching them and seeing them in action in the story I am totally smitten. They have so much energy in their designs and personality that its hard not to enjoy every panel that they're on. But what is great about the human characters is that they hold their own in every scene. Any normal person would be dwarfed (in every sense) by the Transformers, but there really isn't anything “normal” about Scarlett and her team. They rise to the occasion and stand shoulder to shoulder with their robot allies. (Well, metaphorically. In the literal sense they sometimes stand on their shoulders. But that's purely tactical). The other duo that caught me by surprise are Stormshadow and Shaz. They need to have their own, buddy-villain, spin-off after this is said and done. Luckily vans and talking animals are easy to come by.
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IDW Publishing’s next Hasbro crossover is looming, and it looks to have an even bigger impact on the line than fans might have initially guessed. First Strike, which brings together Transformers, G.I. Joe, M.A.S.K. and more, gets going next week with a #0 issue from co-writers Mairghread Scott & David A. Rodriguez and artist Max Dunbar, also the creative team of the main six-issue First Strike miniseries which kicks off with twice-monthly issues in August.
Along with the imminent debut comes the news that some of IDW’s current licensed Hasbro books will end in August — due to a “seasonal” model and in-story changes brought by the events of First Strike. August will bring the last issues of G.I. Joe (with #9), M.A.S.K. (#10), Micronauts: Wrath of Karza (#5) and Rom (#14).
But those characters, naturally, aren’t going away for good — September sees a G.I. Joe: First Strike by Aubrey Sitterson and Ilias Kyriazis and a Micronauts: First Strike one-shot by Christos Gage and Chris Panda; October follows with a M.A.S.K.: First Strike one-shot from Sitterson and Kyriazis and Rom: First Strike from Christos Gage and Chris Panda. Additionally, a Optimus Prime: First Strike one-shot is scheduled for September from John Barber and Guido Guidi; Barber is joined by artist Guido Guidi in October for the Transformers: First Strike one-shot in October.
Then in November, a new series titled G.I. Joe: Unmasked (uniting G.I. Joe and M.A.S.K.) is set to debut in the wake of First Strike, and Rom & The Micronauts is slated for December.
[...]
2. For story reasons that will become clear during First Strike, the titles we’re drawing to a close won’t really make any sense any more! After the events of First Strike, we’ve got plans for radically new, fresh takes on some of these properties and we want to signify how important the changes are. We couldn’t do that and keep the current series titles in place.
[...]
This is coming a year after Revolution — are you planning on annual Hasbro events?
We have a three-year story arc in mind for the shared Hasbro universe. First Strike is the second act. While Revolution brought everything together, First Strike is the first chance we get to see the ramifications of this bold direction we’ve undertaken, and it leads us directly into… well, I can’t wait to tell you what it leads us into but I can’t just yet!
G.I. JOE: First Strike #1—Cover A: Drew Johnson—SPOTLIGHT
Aubrey Sitterson (w) • Ilias Kyriazis (a) • Drew Johnson (c)
As Scarlett heads off to Cybertron to confront the events of First Strike, her G.I. Joe team on Earth faces an unusual enemy… V.E.N.O.M.! With the help of a former M.A.S.K. member, G.I. Joe looks to put an end to Miles Mayhem’s sinister group once and for all, in the Greatest Crossover One-Shot Of All Time!
*Retailers: See your order form for incentive information.
FC • 32 pages • $3.99
Expected in-store date: 9/27/17
G.I. JOE: First Strike #1—Cover B: Ilias Kyriazis
Aubrey Sitterson (w) • Ilias Kyriazis (a & c)
*Retailers: See your order form for incentive information.
FC • 32 pages • $3.99
Expected in-store date: 9/27/17
*Retailer incentives: Order 10 copies, get one free variant cover by Nick Bradshaw!
Micronauts: First Strike #1—Cover A: Nelson Daniel—SPOTLIGHT
Christos Gage (w) • Chris Panda (a) • Nelson Daniel (c)
Rom, remaining on Earth as the events of First Strike take place, finds himself in a most unusual team-up… with Earth’s smallest heroes, The Micronauts! Together, these two forces must prevent a catastrophe on Earth even while Cybertron descends into chaos!
*Retailers: See your order form for incentive information.
FC • 32 pages • $3.99
Expected in-store date: 9/13/17
Micronauts: First Strike #1—Cover B: Chris Panda
Christos Gage (w) • Chris Panda (a & c)
*Retailers: See your order form for incentive information.
FC • 32 pages • $3.99
Expected in-store date: 9/13/17
*Retailer incentives: Order 10 copies, get one free variant cover by Nick Bradshaw!
Optimus Prime: First Strike #1—Cover A: Sara Pitre-Durocher—SPOTLIGHT
John Barber (w) • Guido Guidi (a) • Sara Pitre-Durocher (c)
With Cybertron under siege by Baron Ironblood’s forces, Optimus Prime and Arcee defend their homeland! Caught in the middle is the human/Transformer team known as the Revolutionaries—and one of them has a secret that puts everyone at risk!
*Retailers: See your order form for incentive information.
FC • 32 pages • $3.99
Expected in-store date: 9/20/17
Optimus Prime: First Strike #1—Cover B: Guido Guidi
John Barber (w) • Guido Guidi (a & c)
*Retailers: See your order form for incentive information.
FC • 32 pages • $3.99
Expected in-store date: 9/20/17
*Retailer incentives: Order 10 copies, get one free variant cover by Nick Bradshaw!
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Ryan Yzquierdo, the owner of Seibertron.com and a Transformers toy collector, is featured in #TTTMU! #Transformers
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"I had two American stunt drivers who were crazy," he told Men's Health magazine. "I had to sit in this kind of jet car. It was a low seat, hard to get into the damn thing. So they strap you in, you take a deep breath, here we go, and, 'Action!'
"And then there are these helicopters flying low, which is scary, and you're doing 80 miles through the Admiralty Arch (in London). Of course something could go wrong. You could get killed, I guess. But I come from the school of 'just get on with it.'"
[...]
The director has a reputation for being tough to work with but Anthony, 79, didn't find that to be the case.
"I've worked with some people who are impossible or incompetent; Michael is the opposite of that," he insisted. "He's not just competent, he's a kind of genius. Very prepared. He's impatient and irascible, but there's a great sense of humour in him."
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How would you describe what you do with Michael?
It’s sort of my job to help guide him and show him how we can get there efficiently. But he’s got a really good tummy himself. He knows what his day is and then I help manage the big picture for him and figure out how to get him from one place to the other, getting through it on time. Mike is prodigiously fast. The minute he arrives he starts shooting and he doesn’t stop until he goes home. For the size of movie and the scope and scale of the movie, our schedules are very competitive.
[...]
What was it like working on the Arthurian battle?
It was really fun actually, because neither one of us had done it. If you’re fans of movies like Gladiator, The Longest Day, any period battle sequences... The trick for us was to figure out how to give it the scale that the movie deserved and fitted in a financial box that was necessary. We made the battle quite a bit bigger than originally intended, just because we felt that being part of the opening sequence of the movie we really needed to grab the audience’s attention. It was shot in three days but we jammed a lot of stuff into that sequence with horse stunts and archers and fire and spinning balls, the trebuchet. We got a lot in there.
[...]
What are your thoughts on how this Transformers universe is opening up and spiralling out?
The Bumblebee spin-off is scheduled to shoot this summer and release next year. The conceiving of it was done previously, back in the writers room, so now they’re beginning to execute that. I think each one is somewhat reliant on the last one. If this movie is well received then you make that judgement when the movie comes out and push to the next movie. It’s been that way throughout the franchise, we never really committed to the next one until the last one came out and we saw what happened. We’ve taken a one step at a time approach, trying to be faithful to the audience. If they still love it, we keep doing it.
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The photo shows series regular and Autobot hero Bumblebee, in amongst a traditional Michael Bay conflagration. The new issue of Empire features some extraordinary access to the action movie director, detailing some eye-popping insights into the billion-dollar franchise and its new writers-room approach.
The last film in the franchise was, Age Of Extinction, was “kind of an outlier,” Bay explains in the new Empire. “Because of losing Shia and just figuring out where we were gonna go. It was testing the waters a little bit. This gets us back in the groove”.
Bay’s writers, meanwhile, tell us how they quickly realised that pretty much anything they asked for, they’d get. They had written an English castle-dweller called Sir Edmund Burton, who holds secrets of Transformers lore. “We said, ‘He’s an Anthony Hopkins-type character,’” says co-writer Ken Nolan. “And two days later Michael’s like, ‘So, we’ve got Anthony Hopkins.’” Another new character is Cogman, a psychotic robot butler (“He constantly wants to kill people,” says co-writer Art Marcum) who has been excitedly described by Spielberg as “the greatest four-and-a-half-foot character since Yoda”. Co-writer Matt Holloway, a Downton Abbey fan, one day said as an aside, “It would be so funny if Jim Carter voiced this character.” A short while later, Bay announced, “Jim Carter — we got him.” “It’s good to be Bay,” says Nolan. “Everybody says yes.”
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ISABELA MONER
“Transformers: The Last Knight” (June 23)
To win a role in the latest “Transformers,” Ms. Moner sent a self-tape from her home in Cleveland. “I was nervous. I had just turned 14 and was intimidated by the fact that it’s such a big franchise and I’d be stepping into one of the leads.”
The director Michael Bay wanted to see more and asked her to fly to Los Angeles for a screen test. “The hairstylist said, ‘We’re going to come up with the look for the movie.’ Then Michael walks in and he’s like, ‘We might have to cut your hair.’ I’m like, ‘What? Right now?’” Luckily the new look let her keep her long tresses. “So we dodged a bullet on that one.”
She and Mr. Bay went to a studio parking lot, where he asked her to pretend a Transformer was looming above as he filmed. He told her, “‘I want you to shout things at him, be really mean and challenge him.’ So I did what he wanted me to do, and he did as much as he could without actually having to pay me to be there. What was supposed to be a 30-minute meeting turned into a three-hour fun day of just a low-budget ‘Transformers.’”
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"I remember of the Decepticons, there were three jet fighters. So I had to come up with names that evoked power, menace, insanity, danger, evil – so I came up with Starscream, Skywarp and Thundercracker." - Bob Budiansky
"Megatron – I had to fight for that one. Hasbro initially turned it down because they felt it was too scary, because back in the 1980s, megatons meant nuclear bombs and had a very scary connotation, which was my intent. So when Hasbro turned it down, I realized it’s Hasbro’s product, they can do whatever they want. I’m the new guy, they don’t know me. On other occasions, they turned down names, but with Megatron, I felt it had a nice ring to it and I fought for it. They said it was too scary and I said, well, he is the head of the bad guys, he’s supposed to be scary. So they reconsidered." - Bob Budiansky
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